Evoking empathy in the uncanny: Olivia Faith Harwood’s “Possessions, Possessions” ReviewArt & AboutMarch 3, 20222022 Comment
Art-Mecanica: Chris Chandler’s Innovative Experiments with Letterpress and Vintage Modular Type ReviewArt & AboutDecember 17, 20212021 Comment
Intimacy is a Two-Way Street: Thoughts on David Schell’s intimate, intimate ReviewArt & AboutOctober 11, 20212021Comment
Rachel Avallone "Permission/Pleasure" ReviewArt & AboutAugust 12, 20212021, Drawing & PaintingComment
Emily Counts "Souvenir" ReviewArt & AboutJune 14, 2021Fuller Rosen Gallery2021, Sculpture, Ceramics Comment
Yuyang Zhang “umm no” ReviewArt & AboutJune 5, 2021Fuller Rosen Gallery2021, Drawing & PaintingComment
Yulia Pinkusevich "Calm Under the Waves in the Blue of My Oblivion" ReviewArt & AboutApril 18, 20212021, Drawing & PaintingComment
Timelines of the Future: Christine Howard Sandoval ReviewArt & AboutFebruary 22, 2021Disjecta Contemporary Art Center2021 Comment
Rami George in "and one day will tell you so many stories" ReviewArt & AboutFebruary 9, 2021Paragon Arts Gallery2021Comment
Pacifico Silano in "I Won’t Last A Day Without You" ReviewArt & AboutDecember 16, 2020Photography, 2020Comment
Anya Roberts-Toney in "Summer’s Eve" ReviewArt & AboutSeptember 22, 20202020, Drawing & PaintingComment
Rachael Zur in "Artifacts of Affection" ReviewArt & AboutAugust 19, 2020Drawing & Painting, Sculpture, 2020, Ashley GiffordComment
EIKO OTAKE: The Duet Project: Distance is Malleable ReviewAshley GiffordSeptember 12, 2019Ashley GiffordComment
Mia Habib, “All - a physical poem of protest” ReviewArt & AboutSeptember 7, 2019Ashley GiffordComment
