Image: Hung Liu (American, born China 1948-2021), Official Portraits: Citizen, edition, 12/30, 2006, lithograph and collage, 30 1/4 x 30 inches, Published by Shark's Ink., Lyons, CO, Collection of Jordan D. Schnitzer, Image: Aaron Wessling Photography, © Hung Liu Estate/Artist Rights Society (ARS), New York
Hours: Tuesday-Saturday 11am-5pm with extended hours until 7pm on Thursdays
Opening Reception: August 24, 1-3 pm
I paint from historical photographs of people; the majority of them had no name, no bio, no story left. Nothing. I feel they are kind of lost souls, spirit-ghosts. My painting is a memorial site for them. —Hung Liu
Groundbreaking Chinese American artist Hung Liu (1948–2021) made highly narrative images that foregrounded workers, immigrants, refugees, women, children, and soldiers in haunting, incandescent portraits that mingle Chinese and Western artistic traditions. Liu was born in Changchun, China, and her childhood and youth coincided with one of the most tumultuous periods in Chinese history. After her arrival in San Diego, California, in 1984, Liu became one of the first Chinese artists to establish a career in the United States. Decades later, she would be justly celebrated for establishing novel frameworks for understanding visual art’s relationship to history by focusing on communities misrepresented and marginalized by official narratives.
Featuring highly experimental painting, printing, and weaving techniques, Liu’s challenging yet accessible oeuvre has been aptly characterized by her husband, the art critic Jeff Kelley, as a species of “weeping realism.” Titled A Question of Hu, after China scholar Jonathan Spence’s 1988 book The Question of Hu, the exhibition reintroduces Liu’s remarkable art to the Pacific Northwest, while demonstrating—as few artistic oeuvres can—an expanded view of citizenship in an era of seismic change that is also fundamentally marked by evolving ideas of artistic solidarity and collaboration.
This exhibition is curated by Christian Viveros-Fauné, in conjunction with Converge 45 Biennial Program, Social Forms: Art As Global Citizenship.